Video Production Agency

A beautiful film nobody watches is an expensive screensaver. We plan the distribution before the shoot, so the material you pay for turns into views, enquiries and content you can use for a year.

Distribution First, Camera Second

The common mistake is commissioning one long corporate film, publishing it once, and wondering why nothing happened. A single five-minute video has one use. The same shoot, planned properly, produces the film plus twenty vertical clips, three ad variants, testimonial cutdowns and a library of B-roll.

So we start from where the video will actually be seen: paid social, YouTube pre-roll, a landing page, a trade fair screen, a sales presentation. Each of those wants a different length, aspect ratio, opening three seconds and subtitle treatment. Deciding that before the shoot day costs nothing; deciding it afterwards costs a reshoot.

What We Produce

Corporate and brand films
Product demonstration and explainer videos
Social-first vertical content: reels, shorts and TikTok
Customer testimonial and case-study films
Factory, facility and process documentation
Event, conference and trade fair coverage
Advertising creative for paid campaigns
Animation, motion graphics and 3D product visualisation
Drone and aerial cinematography
Subtitling and versioning in Turkish, English and Arabic

How a Production Runs

1. Brief and strategy. Who is watching, where, and what should they do next. We agree the deliverables list in writing, including every cutdown and format.

2. Concept and script. Treatment, script and storyboard, approved before anyone books a crew.

3. Pre-production. Locations, casting, scheduling, permits, equipment and a shot list that covers the cutdowns as well as the main film.

4. Shoot. Professional crew, cinema cameras, proper lighting and sound. Sound quality is where most corporate video quietly fails.

5. Post-production. Edit, colour grade, sound mix, music licensing, motion graphics, subtitles and all format versions.

6. Delivery. Every file in the agreed specifications, plus source project files, with thumbnails and platform-ready exports.

Most of the video your customers watch is vertical, silent by default, and judged in the first two seconds. Cropping a horizontal corporate film into a vertical clip usually produces something with a headless speaker and unreadable text — which is why so much repurposed content performs badly.

We frame for both during the shoot, and we cut vertical content as its own edit with a hook in the opening seconds, burned-in subtitles, and pacing designed for a feed. It is a different craft from a corporate film and we treat it as one.

Getting a Year of Content From One Shoot

The expensive part of video is the shoot day: crew, equipment, location, people’s time. Editing is comparatively cheap. That makes it economically obvious to capture more than you need on the day and edit it out over the following months.

We plan shoot days to produce a content library rather than a single asset, and we can deliver it on a schedule so you have something new to publish every week without booking another crew. For most clients this is where the cost per usable video drops dramatically.

Frequently Asked Questions

The questions we hear most.

It depends on crew size, shoot days, locations, whether actors or presenters are needed, animation complexity and the number of deliverables. A single-day shoot producing one film plus social cutdowns is a very different budget from a multi-location campaign. We quote against a written deliverables list.

A straightforward corporate or product video typically takes three to five weeks from brief to delivery. Larger productions with casting, multiple locations or significant animation usually take six to ten weeks. Event coverage can be delivered within days when needed.

Yes. Concept, treatment, script and storyboard are part of the service, and everything is approved by you before the shoot. If you have an internal marketing team we can work from their brief instead.

Yes. We produce versioned deliverables with appropriate voiceover, subtitles and on-screen text for Turkish, English and Arabic, including correct right-to-left typography for Arabic, rather than translating captions mechanically.

Deliverables include the finished edits and platform versions as standard. Raw footage and source project files can be included, and we recommend it if you may want re-edits later. This is agreed at quotation stage rather than negotiated afterwards.

Yes. We manage paid social and Google Ads campaigns, so the creative and the media buying can sit with one team. That usually improves results, because the ad performance data feeds directly back into the next set of edits.

Yes. Motion graphics, 2D and 3D animation and product visualisation are available on their own or combined with filmed material, which is often the right answer for explaining a process or a product that cannot easily be filmed.

A clear objective, access to locations and the people who should appear, brand assets, and one decision-maker who can approve the script. Approval by committee is the most common cause of delay in video projects.

The next success story
is yours.

The first consultation is free. We prepare a tailored proposal within 24 hours.

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Video Production Agency

Distribution First, Camera Second

What We Produce

How a Production Runs

Why Vertical Video Is Not an Afterthought

Getting a Year of Content From One Shoot

The questions we hear most.

Continue exploring.

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The next success storyis yours.

The next success story
is yours.